Living in More Than One World

Yesterday marked the 111th anniversary of the birth of the author Jorge Luis Borges, who died in 1986. Penguin has been releasing a series of collections of his poetry, prose and fiction this year, such as On Mysticism, On Writing, On Argentina and The Sonnets.  For many years his work has been reissued in new forms, such as topically or in new translations; making it almost akin to the kind of rock album anthologizing and remixing treatments given to bands like The Rolling Stones. I was intrigued to see that The Borges Center has moved to The University of Pittsburgh. I didn’t find out about it until recently, after my visit to that city in April. It was definitely a case of so close yet so far, as I visited the building housing the center, the magnificent Cathedral of Learning, an entirely appropriate home for Borges scholarship. Though the center has lots of material online, I’ll try to schedule a visit for the next time I am in Pittsburgh. One item in particular caught my attention on their site: an event held earlier this year in Jerusalem, called “Borges and I,” in which five Borges scholars discussed their work. One was Professor Saul Sosnowski of the University of Maryland, who years ago taught in the Hebrew school I attended as a child in Scranton, Pa. As a new school year dawns, it might be a good time to employ the device of a conversation with your younger self, as Borges describes in the short story “The Other.” Finally, take a few moments for reflection with the recent NPR blog post Borges, The Universe and The Infinite Library, by the Dartmouth theoretical physicist Marcelo Gleiser. It reminds us that Borges’ work, in all its forms, remains thought-provoking, timeless and subject to new interpretations as the world changes.

Joshua Green’s article in The Atlantic, Management Secrets of the Grateful Dead, got considerable attention when it was published earlier this year. Last weekend’s Fairport Cropredy Convention, the long-running outdoor festival the British band produces each August, got me thinking that perhaps we should also consider the Management Secrets of Fairport Convention. Not that the latter has had anywhere near the business success of the Grateful Dead, but Fairport has many things in its favor. The band, which has been together in one form or another for more than 40 years, is as much a collection of concepts and ideas as a musical entity. It stands for a number of admirable things: quality, roots, continuity, inclusiveness, durability, relevancy and timelessness. One page on their site gives all the details for anyone wanting to do business with them. Somehow I doubt that they make a lot of money, though I imagine that financial wealth is relatively low on their list of aspirations. But they have admirably produced the festival, which draws 20,000 people yearly; and in recent years, released albums on their own label. (All of the early albums on major labels still sound great. They were definitely, to borrow a phrase from Jim Collins and Jerry Porras, Built to Last.) Fairport Convention’s inclusiveness and sense of family is also demonstrated by a page on their site with links to sites of former members, with the best known being Richard Thompson. Although he often appears at Cropredy, as do other former members, this year he was on tour in the States. Another former member, Sandy Denny, died in 1978. Her stature and importance as an artist has grown considerably since her death. She will be the subject of a 19-CD box set next month, according to this recent feature in The Guardian. Any person or organization attempting to build a successful brand and develop a community can take notes on how Fairport connects with their community in such a sincere, good-humored, genuine way.

Last year I enjoyed blogging about my virtual experience of the Guardian Hay Festival. It has already taken place this year, but those of us who missed it in person can still enjoy it online. The Guardian still has lots of material – text, photos, audio and video – on its site for the event. The text offerings include a brief wrap-up piece, Best of the Hay Festival 2010. Hay is more than author readings. It’s also about book-buying, as driven home by the photo essay Used books, new books, looking for the perfect book … and the videos representing the Hay Festival Bookshop Challenge, including this one featuring Val McDermid. Continuing the video theme is a section of short author interviews, such as this one with Alexander McCall Smith, on Sky Arts’ The Book Show. The others in the series include McDermid, Simon Schama, Audrey Niffenegger, Bill Bryson and more. There is another photo essay in which festival-goers answer the question What Are You Reading at the Hay Festival? An extensive section of audio Haycasts features author interviews from this year, 2009 and 2008. I was happy to see one particular video from The Book Show that exemplifies the concept of Living in More Than One World: an interview with Brian May, the guitarist of Queen, who also happens to have a Ph.D. in astrophysics and is an author. The video snippet describes the recent book he co-authored with Elena Vidal, A Village Lost and Found. The Hay Festival material serves as a reminder that the extensive Guardian Books site is always worth a virtual visit. You can easily lose yourself in new and older articles, reviews, blogs, special features, audio and video. And if you still want more of the Hay virtual experience, go back to the Guardian’s main page for Hay, to access links for its coverage going back to 2006.

Yesterday marked the one year anniversary of the publication of my book, Living in More Than One World: How Peter Drucker’s Wisdom Can Inspire and Transform Your Life. It’s been a fast moving year as a first-time author, an experience I’m treasuring since you can only do it once. (I welcome eventually being a “second-time” author.) My big recent news is that Diamond, Drucker’s publisher in Japan, has bought Japanese translation rights. I’m looking forward to publication there, as well as to editions scheduled to be published in China, South Korea and Brazil. I’ve also been doing a number of author events throughout this first year. It’s difficult to single out individual ones, as they have all been fun and interesting in various ways. The podcast for my keynote at the National Press Club on April 20 for LexisNexis’ The New Face of Value breakfast for government librarians is now online. There were three events in Pennsylvania: one in Scranton, where I was born and raised; another for the Wharton Club of  Philadelphia and one for the Pittsburgh chapter of SLA. In November I did a presentation for the Drucker Society of Los Angeles, at the Drucker-Ito School, in Claremont, Ca. Later that week, during the Drucker centennial observations, there was a book signing. The week before saw an especially memorable “fireside chat” for the Drucker Society of New York City with Frances Hesselbein, who wrote the wonderful foreword to the book. There have also been a number of articles/reviews. I was particularly pleased with two interviews, one for Idea Connection, and another for CIO.com. Both got me thinking in deeper ways about why I wrote the book, and how Drucker remains so relevant. I expect year number two to be just as busy.