Living in More Than One World

The First-Time Author Experience, Part Two

bruce — Tue, 06 Oct 2009 12:58:14 +0000

As I noted in my previous post, I am writing a short series of progress reports/impressions of the first-time author experience for Living in More Than One World: How Peter Drucker’s Wisdom Can Inspire and Transform Your Life. You can only be a first-time author with a new book once in your life, and I want to make the most of it. Besides my first bookstore event last week at Reiter’s Books in Washington, I have made presentations in a variety of settings. I’ve already spoken three times for the Wharton Club of DC; twice in DC (including once for its Nonprofit Roundtable) and once at the City Club in suburban Virginia. I screened my 21 minute Drucker interview DVD at all these events, and will also be screening it on October 15, when I will do a presentation for the Wharton Club of Philadelphia. Speaking to these audiences is especially meaningful for me, as Drucker had a longstanding history with the Wharton School. I’ve also spoken at two Rotary International meetings in suburban Maryland, and have another scheduled for Washington. I haven’t screened the video at these talks. As with the Wharton events so far, Rotary has been a great audience with insightful questions. Reflecting my own different worlds, I also had a well-attended, exhilarating event in early September for DC/SLA, the local chapter of the Special Libraries Association. This had the highest percentage of friends/professional colleagues/former students in the audience. The video was well received, even by people who had seen it before! Libraries are also a crucial part of my event strategy. I had an enjoyable presentation last week at Arlington County, Va., Public Library. This held special significance as I began working on the book when I was living in Arlington, seven years ago. Next week will be the first of two dates for different locations of DC Public Library. More details are on the About page of my website. I’ll post again after I return from my publisher’s author retreat in California next week.

The First-Time Author Experience, Part One

bruce — Sun, 04 Oct 2009 14:25:47 +0000

I haven’t posted for a few weeks, so I would like to add to my blog at least once or twice before I leave later this week for an authors’ retreat in California, sponsored by my publisher, Berrett-Koehler. It’s been a little over two months since my book, Living in More Than One World: How Peter Drucker’s Wisdom Can Inspire and Transform Your Life, was published. This post will be the first in a short series of progress reports/impressions of the first-time author experience. I’m focusing mainly on the author events, which have been some of the most crucial activities since publication date. I wrote earlier about the first event (even before the official publication date), the July 11 book signing at the American Library Association annual conference in Chicago. I’ve done a mixture of events since then, all of which have been enjoyable and gave me the opportunity to meet and work with a number of interesting new people. Each event requires considerable detail-work ahead of time. The people I’ve worked with have been very good about making sure things work as smoothly as possible. Depending on the setup, I have done a presentation based on the principles in the book, with a brief account of how I came to write it. At some places, I have screened my 21 minute DVD interview with Drucker, which always gets a positive reaction. The audiences have varied in size, but all have had interesting and thought-provoking questions during the Q&A segment. Most of the events have been and will be held in the Washington, D.C. area, where I live, but some will be held in other cities. On October 1, I did my first bookstore presentation, at Reiter’s Books, in downtown Washington. It was an exhilarating experience, with an audience mixture of friends, former students and people I had not met before. We did not screen the video. In the next post, I’ll go into more detail about where I have done the presentations so far, and where I’ll be going in the near future.

The Imaginations of Keith Tyson and Jorge Luis Borges

bruce — Sun, 13 Sep 2009 17:25:49 +0000

Seemingly random discoveries are part of the pleasure of reading the work of Jorge Luis Borges, and of reading about him. The latest is my discovery of a feature in today’s independent.co.uk, Jonathan Romney’s On cloud nine: Turner Prize-winner Keith Tyson reveals the surprising ideas behind Turner’s mind-bending work. I had never heard of Tyson, a celebrated British artist, before this article. What drew me to it was the notion that Borges’ short story “The Library of Babel” was an influence on Tyson’s wide-ranging art. Tyson was awarded the coveted Turner Prize in 2002. Perusing his website shows him to be a visual artist of startling originality and variety, much like Borges was with the written word. The interview reveals Tyson’s varied and colorful life history, which indeed sounds like it could be fictional; if not written by Borges at least by a particularly imaginative author. Turner’s assertion that “My whole approach to life and everything comes from a series of existential traumas I experienced when I was about six” certainly makes you want to read on. Apparently the road to art fame — as well as his life now as a family man — was also paved with nervous breakdowns, a gambling addiction and working as a shipyard apprentice on nuclear submarines. He has an upcoming exhibition beginning September 16 at Parasol unit foundation for contemporary art London, Keith Tyson: Cloud Choreography and Other Emergent Systems. (Further searching for today’s post led me to an Alberto Manguel September 24, 2008 piece in The New York Sun, A Universe of Books: Borges’s ‘Library of Babel.’ Manguel is a wonderful writer who has written eloquently on Borges in the past. I have a feeling that Borges — were he still alive — Manguel and Tyson would all take pleasure in the nature of that discovery.)

Rock and Read

bruce — Wed, 09 Sep 2009 13:48:38 +0000

I recently wrote a post about the intersection of two of my favorite subjects, music and literature. Now I have discovered a series of posts on the Los Angeles Times’ Jacket Copy blog about rock music books and related topics, capped by The 46 essential rock reads, on Sept. 1. Obviously a list of this sort is going to be not only incomplete but controversial, as shown by the comments. But it does provide interesting food for thought. Among the 46 books is Get in the Van, by Henry Rollins, an account of his early ‘80s days as lead singer of Black Flag. Right before he moved to California to join that band in 1981, he and I were neighbors in the same apartment building in Arlington, Va. I knew him even before that, having first met him around 1979 or 1980, when I was working a part time job at the late, lamented Olsson’s Books and Records. Henry has been highly successful for many years, and he’s an intriguing example of living in more than one world: as a singer, poet, actor, DJ, entrepreneur, public speaker, etc. I met him at the same time as his friend Ian MacKaye, who has also been a longtime, huge success both in music (with Minor Threat, Fugazi and The Evens) and in business (starting and leading Dischord Records). I know from experience how hard it is to start and run an independent record label – I didn’t last long — and his success over nearly 30 years is well-earned. Among the best LA Times posts is Robin Benway’s Favorite Storytelling Songs. I was unfamiliar with her before this, but Benway is an interesting writer, and has done well with her novel, Audrey, Wait! Let’s hope that Jacket Copy returns to rock themes before a year from now.

Online Aftermath of the Edinburgh International Book Festival

bruce — Sun, 06 Sep 2009 18:48:24 +0000

Although it’s been over for nearly a week, you can still find lots of material online to vicariously experience the Edinburgh International Book Festival, which is billed as the largest of its type in the world. Edinburgh is a lovely city, and I’m sure it was a great setting for this 17-day celebration of the written and spoken word. There has been considerable coverage before, during and after the event in the British media; such as this September 1 report on guardian.co.uk and another, Scottish-centric one on the same day from the [Aberdeen] Press and Journal. Among the hundreds of authors featured this year were Garrison Keillor, Margaret Atwood, Neil Gaiman, Karen Armstrong, Alexander McCall Smith, Tracy Chevalier, Margaret Drabble and Richard Dawkins. The media page of the festival’s site has lots of interesting material, including photos, blogs, and audio/video from 2009 and earlier years. I also liked the Staff Tops 10s lists. There are a number of archived stories about the festival from EdinburghGuides.com. Of course, J. K. Rowling is closely associated with Edinburgh and she read from Harry Potter and the Order of the Phoenix and answered questions at the 2004 Edinburgh Book Festival. The longtime director of the festival, Catherine Lockerbie, is stepping down this year and the occasion was commemorated in a poem by the poet laureate, Carol Ann Duffy. Read more about it (and the text of the poem) at Magnus Linklater’s August 18 story on timesonline.co.uk, Carol Ann Duffy’s tribute to departing head of Edinburgh book festival. Next year’s festival dates are August 14-30, 2010. My new goal: to not just attend, but to be booked for a future Edinburgh International Book Festival.

Acting and Leadership: Compare and Contrast

bruce — Sat, 05 Sep 2009 16:37:24 +0000

I was a bit surprised to see Glenn Close’s byline on BusinessWeek.com. But I found her essay, Glenn Close on Warren Bennis, to be a fascinating read. It’s an excerpt from a new collection of and about Bennis’ writing, The Essential Bennis. Like most people, I am mainly aware of her as a highly experienced and accomplished actor, not as a writer. Yet what she has written here is compelling. Close explores the similarities and differences between the role of the leader and the actor. Both must be based on truth, authenticity and connection; she observes, yet the actor plays many roles and is usually much different in real life from the person he or she portrays in the theater or onscreen. A leader must be genuine and worthy of trust 24/7; there can be no split between the person who inspires followers and the private self. An audience must care about the character an actor portrays, similar to the way people should care about what a leader believes in and deems important. “An actor has no other agenda,” Close writes, “but to be truthful and that truth is all about finding a point of nonjudgmental common humanity with the character to be portrayed—a common humanity between an imagined character and a very real actor.” Similarly, she writes that a leader “must be authentic in his integrity—in his understanding of, his connection to, and his empathy with the people he leads.” Bennis wrote a back cover endorsement for my new book, Living in More Than One World: How Peter Drucker’s Wisdom Can Inspire and Transform Your Life. Charles Handy, who wrote the foreword to The Essential Bennis, also wrote a guest essay, The Odyssey Experience, for my book, about the class he and his wife Elizabeth taught at the Drucker School in 2007.

How Would You Start Again?

bruce — Wed, 02 Sep 2009 17:26:56 +0000

Managementtoday.com’s If I had to start again… feature on September 1 spotlights Sir Alan Jones, Chairman Emeritus of Toyota UK. He says if he were starting out in business today, he would “still choose the science and engineering route,” and he believes that more young people in the UK need to consider a similar career path, if the country is to remain competitive globally. A big reason is that so many people who work in these fields are over the age of 45, and there may not be enough high quality people to replace them in the future. I can’t get enough of these brief, first-person, what-I’ve-learned features written by people who have been successful and want to share their knowledge and experience. A similar, bite-sized Q&A ran almost exactly two years ago on independent.co.uk, My way: Sir Alan Jones, Toyota UK’s Chairman Emeritus, on opportunity. In the Management Today essay, Sir Alan says that it’s important to look for opportunities, make your own decisions, and if there are problems, learn from them and try not to worry about what’s happened in the past. “When I joined Toyota,” Sir Alan writes, “there was almost a farming culture there and a real belief in continuous improvement (kaizen).” He believes that people need to be inspired to believe they can change the world; others have done it and there is no reason that each of us as individuals can’t do the same, in our own way. Beyond the executive lessons represented by these essays, If I had to start again… should give food for thought to everyone. Suppose Managementtoday.com asked you to write your thoughts. What would you say? And if it looks like a good idea, what is stopping you from starting again?

CIOs, IT and Kindle

bruce — Fri, 28 Aug 2009 13:53:07 +0000

A very short post today, as I get ready to take a few days off. I’ll resume blogging on September 1. In the meantime, whether or not you are a CIO (Chief Information Officer), and whether or not you own a Kindle, have a look at CIO INSIGHT for the Books Slideshow: 10 Kindle Books for CIOs. There are thumbnail descriptions and covers for books aimed at busy technology executives. Many of these titles seem like they would have broader applicability for people who want to understand more about how technology is applied in organizations. The #1 book is CIO Best Practices: Enabling Strategic Value with Information Technology, by Joe Stenzel, Gary Cokins, et al; a 2007 title described as “the bible of technology leadership.” #2, CIO Survival Guide: The Roles and Responsibilities of the Chief Information Officer by Karl D. Schubert (2004), is described as “another IT leadership classic.” Some books are broader than just IT: #6 is Alignment: Using the Balanced Scorecard to Create Corporate Synergies, a 2006 title by Robert S. Kaplan, David P. Norton, the creators of the balanced scoreboard concept. Given that IT exists so an organization can do its work most successfully, #10 is The Business-Oriented CIO: A Guide to Market-Driven Management, by George Tillmann (2008), which “gives the straight dope on delivering business value through IT.” See you in September!

Paste Special: Music and Literature

bruce — Thu, 27 Aug 2009 13:14:17 +0000

Justin Jacobs, in Paste magazine, combines two of my favorite topics in the August 24th article Ten Fantastic Songs Brought To You by Books. Numbers one (“Song for Myla Goldberg”, inspired by the Bee Season author) and nine, “The Tain,” on Jacobs’ list are from a great band, The Decemberists. (I also remember the ‘70s album The Tain by the Irish band Horslips.) The only other female writer to be serenaded in a title is “Sylvia Plath,” #4 by Ryan Adams. Another writer name-checked in a title is “Saul Bellow,” #8 by Sufjan Stevens. The source for #3, Radiohead’s “2+2=5,” says Jacobs, is George Orwell’s 1984. #10 is several Led Zeppelin songs (“Misty Mountain Hop,” “Ramble On,” and “The Battle of Evermore”) which Jacobs says were inspired by J.R.R. Tolkien’s The Hobbit and The Lord of the Rings. “Although his long, blonde locks,” Jacobs writes, “and groupie-baiting ways may have suggested otherwise, Robert Plant was a big nerd.” As a lead-in to his list, Jacobs references Catherine Prewitt’s August 13th Paste interview with Jay Farrar (of Son Volt) and Ben Gibbard (of Death Cab for Cutie) about their upcoming Jack Kerouac-inspired album, One Fast Move or I’m Gone, and a related film of the same name. The Farrar-Gibbard project grew out of a documentary produced by Jim Sampas, Kerouac’s nephew, about the years when Kerouac wrote the autobiographically-based novel Big Sur, published in 1962. Gibbard portrays the book’s Kerouac-like character Jack Duluoz as a cautionary, anti-role model: “After all of the wild nights, he’s become just a fat drunk man at a bar who is now not drinking because he wants to, but drinking because he has to.” The Kerouac theme continues at #2 in the above list, The Hold Steady’s “Stuck Between Stations,” which has a line from On the Road.

Visit a Hidden-Gem Museum

bruce — Tue, 25 Aug 2009 13:09:07 +0000

Economist.com has been running a web-only series of columns this summer spotlighting “hidden-gem museums” around the world. The pieces are beautifully written, and do an excellent job of placing the houses of art in historical context. The first was July18, about the National Museum of the Renaissance at the Chateau d’Ecouen. The column points out that although attendance rose to 85,000 visitors last year, that’s not particularly good, especially considering its location in Paris. July 25 spotlights the Museum of Handbags and Purses in Amsterdam. On August 1 is the dryly-headlined Arles together now, about Museon Arlaten in Arles, France. Lack of marketing, promotion and amenities visitors have come to expect, such as a café and a catalogue, kept down visitor totals to 55,000 last year. Yet the back story is fascinating; blending its creator, the poet Frederic Mistral, who won the Nobel Prize for Literature in 1904, and Vincent Van Gogh. The column points out that the latter admired Mistral, yet probably never met him. The loan of a Van Gogh would complete the picture: “Now that fate has reversed the reputations of the two men, the presence of a Van Gogh in the Museon Arlaten would send visitor numbers shooting up.” The three most recent museums covered are The Noguchi Museum in Long Island City, New York; designed by and filled with the art of the sculptor Isamu Noguchi (August 9); The Phillips Collection, in Washington, D.C., on August 15 (not far from where I live, and the only one of these spaces I’ve visited) and The Wallace Collection, in London on August 22. The latter is due for a sudden boost in visitors beginning in October, when it begins an exhibition of 25 new paintings by Damien Hirst. The hidden-gems column has been a pleasant summer diversion. Let’s hope it gets extended for another season.