Living in More Than One World

As I noted in my previous post, I am writing a short series of progress reports/impressions of the first-time author experience for Living in More Than One World: How Peter Drucker’s Wisdom Can Inspire and Transform Your Life. You can only be a first-time author with a new book once in your life, and I want to make the most of it. Besides my first bookstore event last week at Reiter’s Books in Washington, I have made presentations in a variety of settings. I’ve already spoken three times for the Wharton Club of DC; twice in DC (including once for its Nonprofit Roundtable) and once at the City Club in suburban Virginia. I screened my 21 minute Drucker interview DVD at all these events, and will also be screening it on October 15, when I will do a presentation for the Wharton Club of Philadelphia. Speaking to these audiences is especially meaningful for me, as Drucker had a longstanding history with the Wharton School. I’ve also spoken at two Rotary International meetings in suburban Maryland, and have another scheduled for Washington. I haven’t screened the video at these talks. As with the Wharton events so far, Rotary has been a great audience with insightful questions. Reflecting my own different worlds, I also had a well-attended, exhilarating event in early September for DC/SLA, the local chapter of the Special Libraries Association. This had the highest percentage of friends/professional colleagues/former students in the audience. The video was well received, even by people who had seen it before! Libraries are also a crucial part of my event strategy. I had an enjoyable presentation last week at Arlington County, Va., Public Library. This held special significance as I began working on the book when I was living in Arlington, seven years ago. Next week will be the first of two dates for different locations of DC Public Library. More details are on the About page of my website. I’ll post again after I return from my publisher’s author retreat in California next week.

I haven’t posted for a few weeks, so I would like to add to my blog at least once or twice before I leave later this week for an authors’ retreat in California, sponsored by my publisher, Berrett-Koehler. It’s been a little over two months since my book, Living in More Than One World: How Peter Drucker’s Wisdom Can Inspire and Transform Your Life, was published. This post will be the first in a short series of progress reports/impressions of the first-time author experience. I’m focusing mainly on the author events, which have been some of the most crucial activities since publication date. I wrote earlier about the first event (even before the official publication date), the July 11 book signing at the American Library Association annual conference in Chicago. I’ve done a mixture of events since then, all of which have been enjoyable and gave me the opportunity to meet and work with a number of interesting new people. Each event requires considerable detail-work ahead of time. The people I’ve worked with have been very good about making sure things work as smoothly as possible. Depending on the setup, I have done a presentation based on the principles in the book, with a brief account of how I came to write it. At some places, I have screened my 21 minute DVD interview with Drucker, which always gets a positive reaction. The audiences have varied in size, but all have had interesting and thought-provoking questions during the Q&A segment. Most of the events have been and will be held in the Washington, D.C. area, where I live, but some will be held in other cities. On October 1, I did my first bookstore presentation, at Reiter’s Books, in downtown Washington. It was an exhilarating experience, with an audience mixture of friends, former students and people I had not met before. We did not screen the video. In the next post, I’ll go into more detail about where I have done the presentations so far, and where I’ll be going in the near future.

Seemingly random discoveries are part of the pleasure of reading the work of Jorge Luis Borges, and of reading about him. The latest is my discovery of a feature in today’s independent.co.uk, Jonathan Romney’s On cloud nine: Turner Prize-winner Keith Tyson reveals the surprising ideas behind Turner’s mind-bending work. I had never heard of Tyson, a celebrated British artist, before this article. What drew me to it was the notion that Borges’ short story “The Library of Babel” was an influence on Tyson’s wide-ranging art. Tyson was awarded the coveted Turner Prize in 2002. Perusing his website shows him to be a visual artist of startling originality and variety, much like Borges was with the written word.  The interview reveals Tyson’s varied and colorful life history, which indeed sounds like it could be fictional; if not written by Borges at least by a particularly imaginative author. Turner’s assertion that “My whole approach to life and everything comes from a series of existential traumas I experienced when I was about six” certainly makes you want to read on. Apparently the road to art fame — as well as his life now as a family man — was also paved with nervous breakdowns, a gambling addiction and working as a shipyard apprentice on nuclear submarines. He has an upcoming exhibition beginning September 16 at Parasol unit foundation for contemporary art London, Keith Tyson: Cloud Choreography and Other Emergent Systems. (Further searching for today’s post led me to an Alberto Manguel September 24, 2008 piece in The New York Sun, A Universe of Books: Borges’s ‘Library of Babel.’ Manguel is a wonderful writer who has written eloquently on Borges in the past. I have a feeling that Borges — were he still alive — Manguel and Tyson would all take pleasure in the nature of that discovery.)

I recently wrote a post about the intersection of two of my favorite subjects, music and literature. Now I have discovered a series of posts on the Los Angeles Times’ Jacket Copy blog about rock music books and related topics, capped by The 46 essential rock reads, on Sept. 1. Obviously a list of this sort is going to be not only incomplete but controversial, as shown by the comments. But it does provide interesting food for thought. Among the 46 books is Get in the Van, by Henry Rollins, an account of his early ‘80s days as lead singer of Black Flag. Right before he moved to California to join that band in 1981, he and I were neighbors in the same apartment building in Arlington, Va. I knew him even before that, having first met him around 1979 or 1980, when I was working a part time job at the late, lamented Olsson’s Books and Records. Henry has been highly successful for many years, and he’s an intriguing example of living in more than one world: as a singer, poet, actor, DJ, entrepreneur, public speaker, etc. I met him at the same time as his friend Ian MacKaye, who has also been a longtime, huge success both in music (with Minor Threat, Fugazi and The Evens) and in business (starting and leading Dischord Records). I know from experience how hard it is to start and run an independent record label – I didn’t last long — and his success over nearly 30 years is well-earned. Among the best LA Times posts is Robin Benway’s Favorite Storytelling Songs. I was unfamiliar with her before this, but Benway is an interesting writer, and has done well with her novel, Audrey, Wait! Let’s hope that Jacket Copy returns to rock themes before a year from now.

Although it’s been over for nearly a week, you can still find lots of material online to vicariously experience the Edinburgh International Book Festival, which is billed as the largest of its type in the world. Edinburgh is a lovely city, and I’m sure it was a great setting for this 17-day celebration of the written and spoken word.  There has been considerable coverage before, during and after the event in the British media; such as this September 1 report on guardian.co.uk and another, Scottish-centric one on the same day from the [Aberdeen] Press and Journal. Among the hundreds of authors featured this year were Garrison Keillor, Margaret Atwood, Neil Gaiman, Karen Armstrong, Alexander McCall Smith, Tracy Chevalier, Margaret Drabble and Richard Dawkins. The media page of the festival’s site has lots of interesting material, including photos, blogs, and audio/video from 2009 and earlier years. I also liked the Staff Tops 10s lists. There are a number of archived stories about the festival from EdinburghGuides.com. Of course, J. K. Rowling is closely associated with Edinburgh and she read from Harry Potter and the Order of the Phoenix and answered questions at the 2004 Edinburgh Book Festival. The longtime director of the festival, Catherine Lockerbie, is stepping down this year and the occasion was commemorated in a poem by the poet laureate, Carol Ann Duffy. Read more about it (and the text of the poem) at Magnus Linklater’s August 18 story on timesonline.co.uk, Carol Ann Duffy’s tribute to departing head of Edinburgh book festival. Next year’s festival dates are August 14-30, 2010. My new goal: to not just attend, but to be booked for a future Edinburgh International Book Festival.

I was a bit surprised to see Glenn Close’s byline on BusinessWeek.com. But I found her essay, Glenn Close on Warren Bennis, to be a fascinating read.  It’s an excerpt from a new collection of and about Bennis’ writing, The Essential Bennis. Like most people, I am mainly aware of her as a highly experienced and accomplished actor, not as a writer. Yet what she has written here is compelling. Close explores the similarities and differences between the role of the leader and the actor. Both must be based on truth, authenticity and connection; she observes, yet the actor plays many roles and is usually much different in real life from the person he or she portrays in the theater or onscreen. A leader must be genuine and worthy of trust 24/7; there can be no split between the person who inspires followers and the private self. An audience must care about the character an actor portrays, similar to the way people should care about what a leader believes in and deems important. “An actor has no other agenda,” Close writes, “but to be truthful and that truth is all about finding a point of nonjudgmental common humanity with the character to be portrayed—a common humanity between an imagined character and a very real actor.” Similarly, she writes that a leader “must be authentic in his integrity—in his understanding of, his connection to, and his empathy with the people he leads.” Bennis wrote a back cover endorsement for my new book, Living in More Than One World: How Peter Drucker’s Wisdom Can Inspire and Transform Your Life. Charles Handy, who wrote the foreword to The Essential Bennis, also wrote a guest essay, The Odyssey Experience, for my book, about the class he and his wife Elizabeth taught at the Drucker School in 2007.

Justin Jacobs, in Paste magazine, combines two of my favorite topics in the August 24th article Ten Fantastic Songs Brought To You by Books. Numbers one (“Song for Myla Goldberg”, inspired by the Bee Season author) and nine, “The Tain,” on Jacobs’ list are from a great band, The Decemberists. (I also remember the ‘70s album The Tain by the Irish band Horslips.) The only other female writer to be serenaded in a title is “Sylvia Plath,” #4 by Ryan Adams. Another writer name-checked in a title is “Saul Bellow,” #8 by Sufjan Stevens. The source for #3, Radiohead’s “2+2=5,” says Jacobs, is George Orwell’s 1984. #10 is several Led Zeppelin songs (“Misty Mountain Hop,” “Ramble On,” and “The Battle of Evermore”) which Jacobs says were inspired by J.R.R. Tolkien’s The Hobbit and The Lord of the Rings. “Although his long, blonde locks,” Jacobs writes, “and groupie-baiting ways may have suggested otherwise, Robert Plant was a big nerd.” As a lead-in to his list, Jacobs references Catherine Prewitt’s August 13th Paste interview with Jay Farrar (of Son Volt) and Ben Gibbard (of Death Cab for Cutie) about their upcoming Jack Kerouac-inspired album, One Fast Move or I’m Gone, and a related film of the same name. The Farrar-Gibbard project grew out of a documentary produced by Jim Sampas, Kerouac’s nephew, about the years when Kerouac wrote the autobiographically-based novel Big Sur, published in 1962. Gibbard portrays the book’s Kerouac-like character Jack Duluoz as a cautionary, anti-role model: “After all of the wild nights, he’s become just a fat drunk man at a bar who is now not drinking because he wants to, but drinking because he has to.” The Kerouac theme continues at #2 in the above list, The Hold Steady’s “Stuck Between Stations,” which has a line from On the Road.

Beth Farrell of Library Journal has an extensive survey of self-help audiobooks in Mind, Body & Soul. Although the article is aimed at librarians, anyone interested in this genre will find it useful and informative. Referencing an article from Forbes earlier this year, she notes the billions spent in recent years on these types of books, CDs and related products and services. She also calls attention to LJ’s most recent ranking of most-borrowed audiobooks, in which 15 of 20 were in the self-help category. And not all the audiobooks that libraries offer come only in the traditional CD format; others are available through web-based digital downloads from companies such as Overdrive or Ingram Digital, and in the preloaded digital Playaway format (a new one to me). Farrell writes that her aim is to go beyond the likes of Stephen Covey, Rhonda Byrne and similar big names to worthy titles by lesser-known — but many recognizable — authors with titles worthy of being offered by libraries. And by extension, worthy of our attention as library patrons. She provides bibliographic information and to-the-point thumbnail descriptions for more than 20 titles. I particularly like her description of David Whyte’s 8 CD set The Three Marriages: Reimagining Work, Self and Relationship: “Yorkshire-born poet/business consultant Whyte’s rich, rumbling voice could turn the reading of an auto repair manual into poetry; his erudite, unique take on balancing work, self, and relationships is utterly compelling. Self-help for the literary set.” Other audiobooks worthy of careful listening include This I Believe II: More Personal Philosophies of Remarkable Men and Women, a 5 CD set based on the NPR series and Edward de Bono’s How to Have a Beautiful Mind, also 5 CDs.  Improving yourself for free with these and similar audiobooks at your public library sounds like a great deal.

Guardian.co.uk continues to produce useful, thought-provoking content in easy-to-digest formats. The latest example I’ve discovered is How to Believe. So far, this series of blogs by expert commentators is mainly centered on philosophy, with some religion. Mark Vernon, a multi-talented author, journalist, teacher, broadcaster and former priest in the Church of England is doing a series of eight blogs on Plato; two so far with the next due tomorrow. His next book, Plato’s Podcasts: The Ancients’ Guide to Modern Living, will be published in the UK in October. He does a nice job of setting Plato in context in the two blogs so far, demonstrating his importance in the middle of the linked chain of philosophers between Socrates and Aristotle. In the August 3rd posting, Plato’s dialogues, part 1: Why Plato?, Vernon writes, “We live in an age of religious pluralism, secular innovation and ideological searching. Reading him encourages us to delve deep and refashion a way of life that can speak truth to our own times.” In the August 10th posting, Plato’s Dialogues, part 2: Who was Plato’s Socrates?, Vernon’s interpretations about how we can make uncertainty and the unknown work for us, as we navigate change in our lives, are inspirational. “It might be said that the genius of Plato’s Socrates,” Vernon writes, “was to embrace ordinary human uncertainty and doubt, and fashion it into a flourishing way of life.” This embrace of and desire to reach beyond the unknown can further our creativity, innovation, love and wisdom. The postings have drawn many passionate comments, showing that Vernon has hit a nerve, no matter what you think of his ideas. Kudos to guardian.co.uk for devoting so much thoughtful and impressive coverage to these important areas of life. And to follow more of Vernon’s work, see his own Philosophy and Life blog.

Although her posting ran nearly a month ago, check out Michelle Richmond’s I can’t bear to part with… on sfgate.com, the San Francisco Chronicle’s website. She explains that she is culling her bookshelves, but that some books not only couldn’t go, but “beg to be read again and again.” Some of the ten books on the list are new to me, such as The Palace of Dreams, by Ismail Kadare and The Death of a Beekeeper, by Lars Gustafsson. What initially drew me to her post was the inclusion of one of my all-time favorite books, Ficciones, by Jorge Luis Borges, as well as A Mathematician’s Apology, by G.H. Hardy. I discovered and read the latter in the past year, and possibly if I had read it in high school (which I theoretically could have, since it was published well before), I might have had a better attitude about studying math. Here is her description of Graham Greene’s The End of the Affair: “This perfectly paced novel should be required reading for aspiring writers: a book about narrative, the arbitrariness of fate, and the writer’s subject – wrapped up in a riveting love story.” The whole list is informative, with beautifully written thumbnail descriptions of her keeper books. I then discovered that this shouldn’t be a surprise, as she is a best-selling novelist of such books as No One You Know and The Year of Fog, which is being made into a film. For more, see her website and her own blog, sans serif. She ends her sfgate.com post with the sensible advice that if her readers are cleaning her own shelves, they can donate books to the Friends of the San Francisco Public Library. No matter where you live, your local library friends organization can serve the same function if you are doing similar book culling.