Living in More Than One World

Seemingly random discoveries are part of the pleasure of reading the work of Jorge Luis Borges, and of reading about him. The latest is my discovery of a feature in today’s independent.co.uk, Jonathan Romney’s On cloud nine: Turner Prize-winner Keith Tyson reveals the surprising ideas behind Turner’s mind-bending work. I had never heard of Tyson, a celebrated British artist, before this article. What drew me to it was the notion that Borges’ short story “The Library of Babel” was an influence on Tyson’s wide-ranging art. Tyson was awarded the coveted Turner Prize in 2002. Perusing his website shows him to be a visual artist of startling originality and variety, much like Borges was with the written word.  The interview reveals Tyson’s varied and colorful life history, which indeed sounds like it could be fictional; if not written by Borges at least by a particularly imaginative author. Turner’s assertion that “My whole approach to life and everything comes from a series of existential traumas I experienced when I was about six” certainly makes you want to read on. Apparently the road to art fame — as well as his life now as a family man — was also paved with nervous breakdowns, a gambling addiction and working as a shipyard apprentice on nuclear submarines. He has an upcoming exhibition beginning September 16 at Parasol unit foundation for contemporary art London, Keith Tyson: Cloud Choreography and Other Emergent Systems. (Further searching for today’s post led me to an Alberto Manguel September 24, 2008 piece in The New York Sun, A Universe of Books: Borges’s ‘Library of Babel.’ Manguel is a wonderful writer who has written eloquently on Borges in the past. I have a feeling that Borges — were he still alive — Manguel and Tyson would all take pleasure in the nature of that discovery.)

Gordon Pitts of The Globe and Mail in Toronto has a fascinating Q&A today, Why Joseph Rotman hates the ‘do-gooder’ label,  with businessman/philanthropist/volunteer/educator Joseph Rotman, who seems to embody the idea of living in more than one world. The Rotman School of Management at the University of Toronto is named after him. He is highly educated himself and recognizes the value of education not just to individuals, but to all of society. One theme I took away from the interview was that working with and strengthening nonprofit organizations and the arts was in everyone’s interest. They are part of the pillars of making a better life for everyone in a community, or an entire country. Rather than focus so much on shareholder value in business education and running corporations, he says we should use a broader view that takes into account a wider set of stakeholders. “You are part of a total system,” Rotman says, “and, as a corporation and business leader, you have a responsibility to participate in all aspects, which is why I do my community work, why I do my public policy work. I am lucky enough to afford to do it and love doing it.” He sees the arts and the creativity that underpins it as a crucial part of life that should be appreciated on the same level as business, science and technology and other endeavors. The interview is relatively brief, but gives a nice overview of his life, the decisions he’s made about his career and education and how he’s gotten to where he is at age 74. Although he’s well past traditional retirement age, he is doing work and putting his personal fortune to use to benefit as many people as possible. I think it’s significant that the tagline for the Rotman School is “a new way to think.”

If, like me, you are reluctant to show your sketches to other people, be sure to read Art Markman’s new Psychology Today blog post, Tools for Innovation III: Sketches and your brain. Art is a friend and a cognitive scientist at the University of Texas at Austin. The post is one of three recent ones based on ideas (in this case from a chapter by Barbara Tversky and Masaki Suwa) from an Oxford University Press book he and UT engineering professor Kristin Wood co-edited, Tools for Innovation. When you have ideas for innovation, sometimes the best ways to think about, formulate and communicate them are by making some sort of visual representation, even if it is crude, dashed off and open to interpretation. But Art correctly points out that many of us are concerned about what people will think of our less-than-stellar artistic talents, so we either don’t make the sketch, or don’t show it to others. “But it is these very limitations in our ability to sketch perfect what we are thinking,” he writes, “that leaves room for those drawings to be reinterpreted.” If we can get over this limitation, there is a potential for a real breakthrough, because other people may have interpretations we wouldn’t have considered, and that can sharpen our thinking. Another concept he points out is that since so much of the brain is visually-oriented, limiting your ideas to either spoken words, or words on paper, can act as a damper on your creativity. In a similar vein, see Dan Roam’s bestselling book The Back of the Napkin: Solving Problems and Selling Ideas with Pictures.

A nice place to be this week, starting two days ago and running through July 5, is the Aspen Ideas Festival. A large and diverse group of big thinkers from academia, business, law, science, government, nonprofits, the arts, architecture, media and more have converged in Colorado for what looks to be a highly stimulating event. Since most of us can’t be there, the next best thing is following it online at the festival’s website and on the blogs from Atlantic Online. The Atlantic is a co-sponsor of the event, along with the Aspen Institute. Just a handful of the more recognized names from the 200 speakers and moderators: Madeleine Albright, James A. Baker III, Stephen Breyer, David Brooks, Marian Wright Edelman, Thomas L. Friedman, Howard Gardner, Frank Gehry, Alan Greenspan, Sandra Day O’Connor, Tim O’Reilly, Susan Rice, Charlie Rose and Eric Schmidt. You can see the entire list of the speakers and moderators, with photos and thumbnail descriptions, on the festival site. The Aspen Daily News has an interesting piece reflecting on the first day of the festival, and looking to possible highlights from the upcoming speakers. You can view videos from the festival on the Audio Video Library portion of the festival site. One of the several that are available now is Google Looks at the Economy: In Conversation With Eric Schmidt, in which Google’s Chairman of the Board and CEO is interviewed by Kai Ryssdal, host of “Marketplace,” on American Public Media. We are fortunate to live in an age where we can have a virtual experience of these major events (including music and literary festivals, and to some extent, professional conferences) that we can’t attend in person.

The science of creativity in The Globe and Mail provided a reminder to me about Jacob Bronowski, the scientist/author who achieved a degree of fame in the early 1970s with his BBC documentary The Ascent of Man. It also introduced me to the writer of this compelling essay, the Canadian poet/essayist/short story writer Robyn Sarah. In the space of her short piece, she weaves together background on Bronowski, whom she describes as “mathematician, physicist, biologist, humanist, lover of the arts, incomparable teacher, passionate believer in progress;” a brief anecdote about her daughter’s reaction to a Leonardo da Vinci painting in a picture book and a thoughtful review of Bronowski’s collection of essays Science and Human Values. Originally delivered as lectures at M.I.T. in 1953, they explore, among other things, the nature of, and similarity between, creativity in science and the arts. Sarah describes Bronowski’s work in Science and Human Values as “dense with thought and information, but lucid in style and beautifully written.” The same might be said about her own essay. The science of creativity is part of the “Buried Treasures” series in The Globe and Mail’s excellent book section. Among other reviews, essays, lists and special features in this section is a new one, Summer is short…, in which a short story appears every week until Labor Day weekend. It’s being done in partnership with HarperCollins, and intersperses contemporary and classic writers. The most recent story is from Joyce Carol Oates, and next week’s will be by Herman Melville. A nice bonus in the book section from June 27 is the cleverly-titled Alain de Botton is packing your suitcase, as the ubiquitous de Botton lets us in on his summer travel reading.

If you like lists as much as I do, you’ll be kept busy for a long time perusing the 100 Most Creative People in Business on FastCompany.com. It’s an intriguing mix of executives, designers, writers, directors, academics, artists, musicians and more. Although a number of names were familiar to me, many were not. The thumbnail descriptions are to-the-point and informative. Beyond a quick education about people who are doing cool, useful things at a high level, it provides many role models who demonstrate what’s possible by stretching our knowledge, imagination and abilities. When you see the list, you’ll recognize names, companies, products and services that have enriched your life in one way or the other. Obviously such a list is quite subjective, and bound to be confounding to some people. But it provides tremendous food for thought and makes for compulsive clicking and reading. A sampling of people and their rank: #1 Jonathan Ive, #4 Reed Hastings, #13 Stella McCartney, #22 Damien Hirst, #35 Peter Senge, #40 Neil Gaiman, #49 Tyra Banks, #68 Zaha Hadid, #83 Brian Eno…you get the picture.  A neat value-added feature is a page of links for top ten creative people by industry, e.g., Movies and Television (#3, JJ Abrams), Sports (#5, Shaun White), Health Care (#1 Melinda Gates), Architecture (#4, Rem Koolhaas), the Web Business (#5 Evan Williams, CEO of Twitter), Music Business, (#2, Tim Westergren of Pandora) and so on. Fast Company knows it can’t please everyone. Their suggestion is to “Enjoy. Quibble. Complain.”

I’m always fascinated by the ability of British newspapers (and their websites) to come up with brief, clever columns based on Q&As. I’ve just discovered the Telegraph.co.uk’s Culture Clinic feature, written by Kate Weinberg. The celebrity in the clinic on June 8 is creativity guru/consultant Edward de Bono.  He introduced the concept of lateral thinking more than 40 years ago, and it has become a staple of creativity tools in the business world and beyond.  His new book, Think! Before It’s Too Late, comes out in the UK next month. You can discover a bit about his taste in the arts in his Q&A, though he frustratingly answers the question about last book read with “I never remember the titles.” Another surprise is that he replies to the question about his greatest discovery online with “I’m not a great online person.” Maybe some of his answers and non-answers are meant to stimulate the creative, lateral thinking of the column’s readers. Weinberg recommends the following doses of culture (complete with brief reasons why) for de Bono: the Robert Altman film Gosford Park, the novel The Remains of the Day by Kazuo Ishiguro; and since de Bono says he likes opera, Verdi’s Aida with Maria Callas. There are five other Culture Clinics online on the Telegraph.co.uk site; the previous one features Sister Wendy Beckett, the contemplative nun/TV arts presenter. Her answers are more forthcoming and straightforward. She also provides some interesting personal nuggets, such as that J.R.R. Tolkien was president of her finals board at Oxford. Her last music heard was Bach, but Weinberg recommends she try Eric Clapton’s Me and Mr. Johnson, his tribute to the blues legend Robert Johnson. Weinberg writes that this CD is a “reminder to let others remember you.”

In an earlier post, I wrote about Ry Cooder and Nick Lowe’s upcoming European tour, and about the standard of musical excellence maintained over many years by both musicians, as well as their ability to work outside of their comfort zones. I had interviewed and written extensively about Lowe in my music writing days, though I never interviewed or met Cooder. Now comes word from Cooder’s record label, Nonesuch, that he has a collection of fiction, Los Angeles Stories, that will be made available only on the tour. This follows a novella that came with his recent album I, Flathead. Cooder is an embodiment of living in more than one world; as a musician working in many genres, record producer (including the eight million-selling Cuban music album Buena Vista Social Club and the subsequent documentary), soundtrack composer, musicologist and now author. The Nonesuch page links to Ry, Flathead; an extensive, unabridged interview of Cooder by Tony Scherman, in stopsmilingonline.com, the wide-ranging website of Stop Smiling magazine. It’s a fascinating conversation about Cooder’s life and work; especially how Buena Vista Social Club changed his life. One area I found particularly interesting was the crucial role of research in his work as a writer and musician. And be sure to read his comments at the end of the interview about the importance of learning and continually advancing your abilities.

Every year I look forward to the announcement of The MacArthur Foundation’s Fellows Program awards, the so-called “genius grants” that have been given to creative, make-a-difference individuals since 1981. The winners receive $500,000 over five years, with no strings attached on how the money is spent. Reading their profiles, and the media stories about them after they’ve won, is always enlightening. The 2008 fellows include a critical care physician, urban farmer, structural engineer, novelist, anthropologist, stage lighting designer and other professions. The entire list of winners, from 1981-2008, makes fascinating reading.  But the foundation also makes awards to organizations, and on April 27 it announced the worldwide, nonprofit recipients of the MacArthur Award for Creative and Effective Institutions. This is the fourth year of the awards. According to the press release, “All are highly creative and effective organizations that have made a remarkable impact in their fields, driving significant change on a modest budget.” Related to the latter point, the release states, “Each organization will receive up to $650,000, a significant sum considering their annual budgets range from $200,000 to $4.5 million.” There are eight winners; three based in the United States, two in Russia, and one each in Nigeria, India and Trinidad. Each is described in separate pages on the MacArthur site. You can also read the Associated Press article on the awards.

An ongoing theme of my blog is how we can continually think of our personal and professional lives in different, more productive ways. Techniques of creative problem solving are often useful shortcuts at helping us get unstuck. In the mid-1990s I took a creative problem solving continuing education course at Georgetown University with Win Wenger, a creativity guru and author who is also based in the Washington, D.C. metropolitan area. I enjoyed the course, and have stayed in touch with him over the years.

His organization, Project Renaissance, is a great source for information on many creativity and thinking-related issues. There is a really handy page on his site that collects many of his problem solving and creative thinking tools. One of Win’s tools, Image Streaming, is also featured in a book I reviewed for USA TODAY in 2007, Innovate Like Edison: The Success System of America’s Greatest Inventor, by Michael J. Gelb and Sarah Miller Caldicott (Edison’s great-grandniece).  Another reason why Win is worth reading and listening to is his emphasis on teaching and learning. On these topics, have a look at his 1992 book Beyond Teaching & Learning.