Living in More Than One World

I’ve written about a variety of festivals (music and otherwise) that I would have liked to have attended, but found that following on the web was the next best thing: the Aspen Ideas Festival, Glastonbury and The Guardian Hay Festival. Now there is another British entry, the Latitude Festival, which I had not heard of until now, but is four years old. It’s already over, having run from July 16-19. Check out Mark Savage’s Latitude festival is a class act and other BBC coverage. NME.com and others covered the solo set by Thom Yorke of Radiohead, in which he gave the debut of a new song, “The Present Tense.” (I used to read NME, then in its pre-online, weekly print-only days, as often as possible back in my music days of the ‘70s and ‘80s. Especially at first, it wasn’t easy to find in the States, so it’s a sign of the times how readily available it is on the web.) Check out the complete list of acts appearing on multiple stages; including four music stages, with the Pet Shop Boys, Regina Spektor, the Pretenders, Grace Jones, Nick Cave and the Bad Seeds along with many others. There was also literature (including Orwell: A Celebration, billed as “an unprecedented theatrical tribute to the work of George Orwell”; Geoff Dyer, Blake Morrison and many others), plus films, comedy, cabaret and more. For additional media coverage, see The Guardian, The Independent and other UK media outlets.

On July 11th, the day of my book signing at the American Library Association annual conference in Chicago, I met three highly interesting people who were also either signing or performing: Amy Krouse Rosenthal, George Watsky and Mieka Pauley. I had never met them before, and had not even heard of George or Mieka. When I found out that Amy would be at the Chronicle Books booth that morning, I knew that I wanted to meet her, as I had enjoyed her book Encyclopedia of an Ordinary Life. I had a nice conversation with her after she finished a signing for one of her children’s books. Be sure to check out her compelling short video, The Beckoning of Lovely, shot last summer in Chicago’s Millennium Park. I discovered George and Mieka in a providential way. A friend had told me earlier in the day that I should meet a friend of hers, an editor at a library-related publication that had a booth at the conference. When I went to find her soon after I finished my signing, I was told she would be at the LIVE! @ your library Reading Stage. When I arrived, she was not there, but I quickly became mesmerized by George’s poetry performance, in which Mieka accompanied him at times on guitar and vocals. Although I only caught the tail-end, they continued with an impromptu performance (separately) at the booth of their representatives, the Auburn Moon Agency. They also talked with those of us who assembled. What was amazing was that neither had performed together before George’s appearance on stage. Check out the material on each of their websites. I would gladly pay to see either of them perform again. And yes, I did find the editor later on. Amy, George and Mieka are each cool, super-creative people I could have easily missed out on meeting if circumstances had been only slightly different. If anyone at the conference (or perhaps any similar recent gathering) has had similar experiences, please let me know so I can share them with other readers of this blog!

Most of us will not be able to attend Britain’s annual Glastonbury Festival, which starts Thursday. But we can live vicariously by checking out the festival’s extensive website, and the media coverage that’s already begun.  Today, The Independent has Elisa Bray’s The guide to Glastonbury. She notes that there will be 177,000 people and 300 bands, playing on 10 main stages and a dozen smaller ones. Guardian.co.uk has a page with news, blogs, videos and weather updates. The full lineup on the festival’s site is pretty amazing; there will be so many choices that it seems like it would be hard to decide which artists to see and which ones you’d have to miss. The Pyramid Stage has some of the biggest names, such as Bruce Springsteen and the E Street Band, Neil Young, Crosby, Stills & Nash, Madness, Fleet Foxes, Lily Allen and many more. The Acoustic Stage sounds particularly appealing, with the likes of Roger McGuinn, Fairport Convention, Ray Davies and the duo of Gary Louris and Mark Olson. I particularly like the fact that there is a John Peel Stage, in honor of the late BBC DJ. It has Echo and the Bunnymen, Jarvis Cocker and many more. The official site has a history page going back to the first festival, in 1970. More media coverage: The BBC has a page on the festival and Ian Youngs’ The secrets of Glastonbury’s line-up, in which he notes that festival organizer Michael Eavis, who has run it since the beginning, “may be one of the coolest 73-year-olds around…” He was named one of Time’s 100 Most Influential People this year, complete with an essay about him by Chris Martin of Coldplay. Eavis’ daughter Emily now also organizes the festival. The Glastonbury coverage is a reminder about what a wonderful place Britain is for music and pop culture.

In an earlier post, I wrote about Ry Cooder and Nick Lowe’s upcoming European tour, and about the standard of musical excellence maintained over many years by both musicians, as well as their ability to work outside of their comfort zones. I had interviewed and written extensively about Lowe in my music writing days, though I never interviewed or met Cooder. Now comes word from Cooder’s record label, Nonesuch, that he has a collection of fiction, Los Angeles Stories, that will be made available only on the tour. This follows a novella that came with his recent album I, Flathead. Cooder is an embodiment of living in more than one world; as a musician working in many genres, record producer (including the eight million-selling Cuban music album Buena Vista Social Club and the subsequent documentary), soundtrack composer, musicologist and now author. The Nonesuch page links to Ry, Flathead; an extensive, unabridged interview of Cooder by Tony Scherman, in stopsmilingonline.com, the wide-ranging website of Stop Smiling magazine. It’s a fascinating conversation about Cooder’s life and work; especially how Buena Vista Social Club changed his life. One area I found particularly interesting was the crucial role of research in his work as a writer and musician. And be sure to read his comments at the end of the interview about the importance of learning and continually advancing your abilities.

There can be fascinating results when two seemingly disparate worlds combine in the same person. A case in point is Kate Linthicum’s feature story in the Los Angeles Times, In the stillness, space for a rebellious spirit, about Noah Levine, who teaches Buddhist meditation infused with punk rock values. He’s the leader of the Against the Stream Buddhist Meditation Society, and author of the 2003 book Dharma Punx. The latter is the name of the Society’s members, and there are meditation groups across the USA and Canada. Levine appears to be an intriguing embodiment of living in more than one world, as a psychologist (which, according to the article, is how he earns his living), teacher, organization leader, author and family man. But it took him a long time of  suffering and searching to get to his current place in life, all detailed well by Linthicum.  Levine’s father is the poet and author Stephen Levine.

Everything is connected. But one connection that took me a long time to make was between the lovely city of Claremont, California (Peter Drucker’s home and site of the Drucker School), and rock music. I have traveled to Claremont – which also contains a stretch of Route 66, not far from the Drucker School — a number of times since 2002 for research on my book. But it wasn’t until last year that I discovered how many great musicians come from Claremont.

Two members of one of my favorite ‘60s bands, Kaleidoscope, David Lindley and Chris Darrow, live there. I had a couple of nice phone conversations with Chris when I was in town last June, after being introduced by a mutual friend from Claremont Graduate University. Check out Jud Cost’s interview with Chris on the Sundazed Records site.

Besides Lindley, the best-known Claremont rock artist is Ben Harper. I visited the Folk Music Center Museum & Store in the “village” part of Claremont, which was started by his grandparents in 1958, and which Ben now owns. I met his mother, Ellen Chase-Verdries, also a musician, and now the store’s manager. Last year, Ben was one of the headliners of the Claremont Folk Festival, with Jackson Browne and Taj Mahal.

I’m always interested in how people maintain doing excellent work over a period of many years, regardless of the type of work they do. As Peter Drucker has said, “Workmanship counts.” Two examples from the world of music are Ry Cooder and Nick Lowe, who will be touring together in Europe this summer. In my rock writing days — a long time ago — I interviewed Lowe several times and wrote a lot about him and his earlier band, Brinsley Schwarz. Both Cooder and Lowe are admirable for regularly leaving their comfort zones as musicians and songwriters. Among other things, Cooder has written a novella to accompany his latest album, I Flathead, and has worked in many musical worlds, including rock, world music and soundtracks.

Part of the secret of Cooder’s success has been his strong sense of ongoing learning. Although I have only seen this in hard copy and not online, Cooder gave an intriguing interview to Charles Shaar Murray in the August 2008 issue of the excellent British magazine The Word. Murray asked if there was a thread through his highly varied career. Cooder started his extended response with this reply: “The truth is… the only thing I can tell you is that I was always trying to learn to do something I can’t.”

On a sadder note, the innovative singer-songwriter John Martyn (known to many as the writer of Eric Clapton’s “May You Never,”) whom I interviewed in Washington, D.C. when he was doing a gig at the legendary Cellar Door in the late ’70s, died on January 29th.